HOME > News・Event > The Art of the Plausible Michael Young The Univ. of Tokyo Engineering Bldg.1 Lecture Room 15 July 5th, 2018 18:30-20:00

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NEW The Art of the Plausible Michael Young The Univ. of Tokyo Engineering Bldg.1 Lecture Room 15 July 5th, 2018 18:30-20:00

One of the responsibilities the discipline of architecture holds is for the aesthetics of the background of reality. This is a loaded statement, so I will offer a few thoughts on each of the main words. With the term background, I intend something close to Walter Benjamin’s observation that “Architecture has always represented the prototype of a work of art the reception of which is consummated by a collectivity in a state of distraction”- As is quite often the case, the background of our environment is rarely the focus of our attention. But instead of this lack of attention signifying unimportance, it is exactly through this habituation that the background begins to have power, begins to establish the assumptions regarding the way in which reality appears. “Reality” is an even more problematic concept. In using this word, I do not intend to claim access to “the real.” There is always something about reality that withdraws from us, something which we can never fully know or sense. In this, aspects of what we assume to be reality are always constructed by personal and cultural imagination. This is more blatantly the case regarding the current situation of image mediation through our screens and devices. What I intend by evoking “reality” is more akin to an aesthetics of realism, not a copy of the real, but a tension between reality and its representation that disturbs or estranges assumptions regarding the way reality looks and feels. I also use the term to distance this statement from one of fantasy. It is a speculative realism that architecture is a participant in. The last word to unfold is “aesthetics.” Aesthetics here refers to all the ways in which the world is made available to the senses. Distinct from the philosophical modes of ethics and epistemology, aesthetics relates to sensory qualities. It does not judge their truth or moral value, nor does it produce explicit knowledge about the way the world appears. Aesthetics may lead to the desire for knowledge or it may sponsor a change in behavior and ethical values, but it is not justified by these, nor is it the result of their claims.

 

Michael Young is an architect and educator practicing in New York City where he is a founding partner of the architectural design studio Young & Ayata. Young & Ayata were awarded a Design Vanguard Award from Architectural Record for 2016. In 2015 they received a first place prize to design the new Bauhaus Museum in Dessau, Germany. In 2014 they received the Young Architects Prize from the Architectural League of New York, and were finalists for the MoMA Young Architects Program at the Istanbul Modern.

Michael is currently an Assistant Professor at the Cooper Union. In the Fall of 2016 he was the Louis I. Kahn Visiting Assistant Professor at Yale University. He has previously taught design studios and seminars at Princeton, SCI-Arc, Yale, Columbia, Syracuse, Pratt, Cornell and Innsbruck University. His work has been exhibited recently in New York, Los Angeles, Paris, Rotterdam, Istanbul, Milan, Chicago, Barcelona, and Princeton. Michael received his Master's Degree from Princeton University and a Bachelor of Architecture from Cal Poly San Luis Obispo. He is a Registered Architect in the State of New York.

 

The Univ. of Tokyo Engineering Bldg.1 Lecture Room 15

July 5th, 2018  18:30-20:00

 

Michael Youngレクチャー「The Art of the Plausible」

7月5日18:30~20:00
東大工学部1号館15号講義室
入場無料 予約不要(先着100名)
Young & Ayata ウェブサイト:http://www.young-ayata.com

 

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